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If your interface does not have a Hi-Z input then you could connect it to a DI box and then into the Mic input of your preamp or interface. The output of your pedal would generally be connected to a Hi-Z input on your interface/mic preamp. Once the DAW output has been plugged into the re-amp box you can connect the output of the re-amper to the input of your pedal(s). I tend to favour active re-ampers with guitar pedals and low gain amplifiers and passive re- ampers with high gain amplifiers. It is worth experimenting with different devices to see what works with your pedals and amplifiers. Some re-ampers are active, allowing you to vary the output level, and some are passive. This takes the line level signal from your audio interface’s output down to instrument level. The solution to this is to use a re-amp device, such as the Radial X-Amp. For many effects though, they simply operate at the wrong level and impedance to get a decent signal to noise ratio. For pedals that can operate at line level, such as the Eventide TimeFactor, this isn’t a problem. In theory you can simply attach your guitar pedals any spare the inputs/outputs of your audio interface and call them up as a hardware insert in your DAW. There are a few reasons for this, sometimes it is a down to the sound but often it is more down to being able to physically interact with the pedal- to essentially ‘play the pedal’. Using guitar pedals with your DAW is a great way to add some different textures to your mix. To say ‘inspiration’ sounds a bit trite but there is just something missing from your song and trawling through your exhaustive list of plugins hasn’t quite worked in that instance. something, but you don’t quite know what it is. We’ve all been there- at some point during the recording or production process you find yourself looking for.